Nail The Mix How to sync your drum gate timing to the tempo of the song (ft. The Story So Far) By Nail the Mix Staff
Nail The Mix Removing cymbal bleed from snare tracks with phase cancellation (ft. Saosin) By Nail the Mix Staff
Nail The Mix How to get huge-sounding drums when you recorded in a small room (ft. Intervals) By Nail the Mix Staff
Nail The Mix Automated reverb swells for seamless transitions in tech death (ft. Zenith Passage) By Nail the Mix Staff
Nail The Mix Mixing Mitch Lucker’s INSANE Raw Vocals (ft. Suicide Silence “Wake Up”) By Nail the Mix Staff
Nail The Mix How To EQ Metal Bass Guitar w/ Neural DSP Parallax and Dingwall NG2 (ft. Sylosis) By Nail the Mix Staff
Nail The Mix How to Mix Metal Vocals: Layering, Pitch-Shifting & a “Scream Bus” (w Buster Odeholm) By Nail the Mix Staff
Nail The Mix Using Vocal Rider as an automation writing tool, not a plugin (ft. Periphery) By Nail the Mix Staff
Nail The Mix The sidechain ducking trick that makes drums punch through anything (ft. Attack Attack) By Nail the Mix Staff
Nail The Mix Stacking three DI layers for heavy guitars that stay clear (ft. Oceano) By Nail the Mix Staff
Nail The Mix How to blend kick drum samples: phase alignmen, EQ & multi-band compression (w Buster Odeholm) By Nail the Mix Staff