Nail The Mix The search-and-destroy EQ method for cleaner kick drums (ft. Bring Me The Horizon) By Nail the Mix Staff
Nail The Mix How to EQ synths so they stop fighting your guitars (ft. Chelsea Grin) By Nail the Mix Staff
Nail The Mix Distortion and MicroShift on vocal doubles for massive width (ft. Chelsea Grin) By Nail the Mix Staff
Nail The Mix Building a parallel compression bus for crispy death metal guitars (ft. Daath) By Nail the Mix Staff
Nail The Mix Why you should EQ before compression on your mix bus (ft. Allegaeon) By Nail the Mix Staff
Nail The Mix How Meshuggah’s iconic talk box guitar tone was recorded and mixed By Nail the Mix Staff
Nail The Mix Tom Lord-Alge’s automated filter trick for cleaner bass sustain (ft. Angels & Airwaves) By Nail the Mix Staff
Nail The Mix Creating creepy lo-fi vocal textures with just stock plugins (ft. Blessthefall) By Nail the Mix Staff
Nail The Mix Parallel drum processing: the turbo track technique with Neve 8078, Drawmer DS201 & VCA compression (ft. Converge) By Nail the Mix Staff
Nail The Mix How Kurt Ballou mics guitar amps: Marshall JMP, Royer 121 & the Converge tone By Nail the Mix Staff
Nail The Mix Turning weird samples into rhythmic percussion with delay chains (ft. Loathe) By Nail the Mix Staff