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Nail The Mix

Mixing Oli Sykes’ Raw Vocals With Extreme Compression (Bring Me The Horizon “Chelsea Smile”)

By Nail the Mix Staff

Nail The Mix

Using saturation to make toms punch harder without raising the fader (ft. Dance Gavin Dance)

By Nail the Mix Staff

Nail The Mix

How to layer reverbs & EQ on clean vocals (ft. Dayseeker)

By Nail the Mix Staff

Nail The Mix

How to blend multiple guitar mics into one crushing tone (ft. Decapitated)

By Nail the Mix Staff

Nail The Mix

How Devin Townsend uses stereo width to make breakbeats sound louder

By Nail the Mix Staff

Nail The Mix

Devin Townsend’s asymmetrical delay trick for vocal presence in dense mixes

By Nail the Mix Staff

Nail The Mix

How to mix snare ghost notes without bringing up bleed (ft. Jinjer)

By Nail the Mix Staff

Nail The Mix

Mixing Gojira’s screaming vocals with filtered delays and heavy compression

By Nail the Mix Staff

Nail The Mix

Using Soundtoys Radiator to make guitar solos cut through a dense mix (ft. Intervals)

By Nail the Mix Staff

Nail The Mix

How to make a mono synth sound wide and full in a busy mix (ft. Intervals)

By Nail the Mix Staff

Nail The Mix

Using a short slapback delay as a vocal doubler (ft. Jonny Craig)

By Nail the Mix Staff

Nail The Mix

How to gate drums perfectly every time with key spike triggers (ft. Knocked Loose)

By Nail the Mix Staff