Nail The Mix
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Nail The Mix
How to route a vocal bus for screams and cleans (ft. Asking Alexandria)
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Nail The Mix
How to get Humanity’s Last Breath’s crushing low-tuned guitar tone
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Sidechain ducking guitar low-end on tom hits for a cleaner mix (ft. Between The Buried And Me)
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Why heavy input compression during vocal tracking makes singers sound better (ft. Leprous)
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The smack-and-ring parallel snare trick for massive drums (ft. Amon Amarth)
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Audio-to-MIDI snare triggering that preserves real drum dynamics (ft. Tallah)
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Using dynamic EQ to tame harsh vocals without killing the aggression (ft. Left To Suffer)
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How to create Tilian’s distorted chorus vocal effect (ft. Dance Gavin Dance)
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Quad-tracking screams for massive width and presence (ft. The Contortionist)
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Creating dynamic shifts by adding and removing vocal layers (ft. The Contortionist)
By Nail the Mix Staff
Nail The Mix