Nail The Mix Tosin Abasi’s guitar signal chain: Cali76, Freedman drive & Morgan amp (ft. Animals As Leaders) By Nail the Mix Staff
Nail The Mix Why Jens Bogren used zero compression on Amon Amarth’s lead guitars By Nail the Mix Staff
Nail The Mix How To Get MASSIVE Nickelback Guitar Tone with Amp Sims & Fractal Axe-Fx III By Nail the Mix Staff
Nail The Mix How to keep your snare punching through mastering limiters (ft. Suicide Silence) By Nail the Mix Staff
Nail The Mix Turning guitar leads into synth-like textures with Soundtoys Little AltarBoy (ft. Silverstein) By Nail the Mix Staff
Nail The Mix Spiritbox vocal chain: LA-2A compression, Decapitator saturation & layered delay sends By Nail the Mix Staff
Nail The Mix Neural DSP Archetype for djent guitars: octave layering, pre-amp EQ & iterative tone shaping (ft. Spiritbox) By Nail the Mix Staff
Nail The Mix How to make metal kick drums cut through a dense mix (ft. Suicide Silence) By Nail the Mix Staff
Nail The Mix Boss HM-2 buzz saw tone into a 5150 III with post-distortion octave shifting (ft. Tallah) By Nail the Mix Staff
Nail The Mix Dialing in progressive metal guitar tone with Neural DSP Quad Cortex (ft. Tesseract) By Nail the Mix Staff
Nail The Mix Mixing synths in modern rock with MeldaProduction M-Distortion (ft. Papa Roach) By Nail the Mix Staff