Pro Tools Archives - Page 5 of 7 - Nail The Mix
Nail The Mix

Why Jens Bogren used zero compression on Amon Amarth’s lead guitars

Let’s talk about mixing guitar solos. They’re a massive part of what makes a metal track epic, but getting them to sit right is a delicate dance. Push them too loud, and they feel disconnected and distracting. Tuck them in too low, and you lose all the fire and intricate detail of the performance. Getting […]

How Tom Lord-Alge mixes Tom Delonge’s Vocals (ft. Angels & Airwaves)

Let’s be real, Tom DeLonge’s voice is one of the most distinct in modern rock. That unmistakable SoCal punk energy is his signature, but when he launched Angels & Airwaves, the production took that signature and launched it into the stratosphere. The vocals on albums like We Don’t Need to Whisper and I-Empire are drenched […]

The Waves CLA Vocals ‘shortcut’ approach to mixing rock vocals (ft. Fall Out Boy)

Let’s talk about iconic rock vocals. Patrick Stump’s performances are the undeniable centerpiece of every Fall Out Boy track. They’re powerful, they’re soulful, and they always cut through a dense wall of guitars and drums. But how do you take a raw vocal performance like that and make it sit perfectly in a high-energy mix? […]

Mutt Lange-style vocal stacking and the ‘dry punch’ chorus trick (ft. Papa Roach)

Let’s be real, the vocals on a Papa Roach track are an event. They’re packed with emotion, aggression, and a larger-than-life texture that cuts right through a heavy mix. Ever wonder how producer Kane Churko gets that signature sound? It’s not just about one magic plugin; it’s a combination of clever layering, creative processing, and […]

Creating three distinct lead guitar voices in one song with Soundtoys Radiator (ft. Intervals)

Ever found yourself wrestling with a mix packed with intricate lead guitars and soaring solos? You’re not alone. Getting those crucial melodic elements to sound full, distinct, and perfectly integrated into a dense modern metal track can be a serious challenge. Bands like Intervals, known for their incredible instrumental prowess, layer these elements masterfully. So, […]

Why you should EQ vocals before compression (ft. Jonny Craig)

When you’re tasked with mixing a voice as iconic and emotive as Jonny Craig’s, especially on a track as poignant as Slaves’ “I’d Rather See Your Star Explode,” you know you’ve got to bring your A-game. Producer Erik Ron stepped up to the plate, and in a Nail The Mix session, he pulled back the […]

Mixing Gojira’s screaming vocals with filtered delays and heavy compression

Gojira is synonymous with colossal riffs and Joe Duplantier’s earth-shattering vocals. That raw, powerful vocal sound is a signature part of their sonic assault. Ever wondered how it gets captured and then sculpted to sit perfectly in those dense, polyrhythmic mixes? We got a peek into the process with producer/mixer Logan Mader (Machine Head, Fear […]

How Devin Townsend uses stereo width to make breakbeats sound louder

Ever stared at your DAW, wondering how to inject truly unique, almost chaotic energy into a track while keeping it all glued together? If you’re looking to blend steel drums, seventies breakbeats, and explosive effects into something fresh and powerful, you’re in for a treat. We’re diving into some of the “production madness” that metal […]