Let’s talk about modern metal production. Bands like Allt are pushing the boundaries, blending raw, visceral aggression with the kind of deep, intricate electronic production that makes a track feel massive. Their song “Rupture,” produced by the incredible Buster Odeholm, is a perfect case study in how to make this hybrid sound work. It’s one […]
Let’s be real: modern metalcore is a masterclass in sonic balance. It’s not just about crushing riffs anymore. It’s about weaving those riffs with massive pop hooks, intricate electronic layers, and vocals that can soar one moment and gut-punch you the next. A perfect example? Dayseeker’s massive track, “Sleeptalk.” When you get to peel back […]
Let’s talk about a different kind of heavy. The Contortionist’s sound, especially on their album Clairvoyant, isn’t just about pummeling riffs and blast beats. It’s a dense, atmospheric, and beautifully complex sonic tapestry. Mixing a track like “Return to Earth” presents a unique challenge that many producers crave: the source material is already incredible. The […]
The Core Challenge: Managing the Low-End Chaos Right out of the gate, the biggest battle in this mix is the low end. With guitars tuned to the floor, a hyperactive bassline, and non-stop kick drums all vying for space, creating a punchy and clear bottom end is a monumental task. Add in cinematic sub drops, […]
Loathe’s sound is an absolute masterclass in contrasts. One minute you’re floating in a hauntingly beautiful soundscape, the next you’re getting your head ripped off by a gut-punch of a riff. Their track “New Faces In The Dark” is a perfect showcase of this dynamic, and thanks to the Nail The Mix session with producer […]
Double-headers are awesome. Especially when they feature two killer bands like Left To Suffer and Kingdom of Giants, both mixed by the ridiculously talented Matt Thomas. We got our hands on the raw multitracks for Left To Suffer’s “Disappoint Me” and Kingdom of Giants’ “Wayfinder,” and let’s just say each song presents a completely unique […]
Mixing modern metal is an exercise in controlled chaos. When you’re dealing with bands as sonically devastating as Humanity’s Last Breath and Thrown, you’re not just balancing levels—you’re wrestling with frequencies that can swallow a mix whole. We got a chance to tear into the multi-tracks for Humanity’s Last Breath’s “Labyrinthian” and Thrown’s “Guilt,” the […]
Ever crank a mix and wonder how those guitars manage to sound so damn wide? We’re talking about that massive, immersive stereo spread that makes the guitars feel like they’re wrapping around your head. It’s a hallmark of modern metal, but it’s not just about panning things hard left and right. There’s an art to […]
Neural DSP plugins? Yeah, they’re pretty much staples in any modern metal producer’s toolkit, and they deliver absolutely killer amp tones right out of the box. But if you’re just loading presets and calling it a day, you’re missing out on a whole other level of sonic alchemy. The real magic often lies in how […]
Alright, metalheads and mix wizards, let’s talk Neural DSP. If you’ve been anywhere near a modern metal production in the last few years, you’ve felt their impact. These Finnish innovators have stormed the scene, delivering some of the most face-meltingly realistic and inspiring digital amp tones we’ve ever heard. But here’s the deal: just loading […]