Ever feel like you’re stuck in a creative rut, churning out tracks that sound a bit too… predictable? You’re not alone. Even chart-topping bands like Falling In Reverse hit that point. Tyler Smyth, producer and mixer for the band, shared how Ronnie Radke himself pushed to break free from the “radio hit” formula in “Watch […]
When you think of Logic Pro X, your mind probably jumps to pop, hip-hop, or pristine film scores. And yeah, it’s a beast for all that. But if you’re a metal producer sleeping on the massive arsenal of Logic Pro X virtual instruments, you’re leaving a ton of creative power on the table. We’re not […]
Thinking about grabbing that Logic Pro free trial? Smart move. Choosing a Digital Audio Workstation (DAW) is a big decision, especially when you're crafting face-melting metal. You want something that can handle blistering blast beats, walls of guitars, and vocals that rip. So, is Logic Pro the beast you need, or will you find yourself […]
You’re deep in the metal production trenches, or maybe just gearing up, and the age-old question hits: “What’s the best DAW for this stuff?” You see forum warriors drawing battle lines, YouTube gurus swearing by their chosen software, and it’s enough to make your head spin faster than a Slayer breakdown. Here’s the deal from […]
Let’s be real, the guitar sound on a Knocked Loose record is a force of nature. It’s chaotic, aggressive, and hits with the force of a battering ram. It’s a sound that feels both intentionally sculpted and on the verge of collapsing—a perfect sonic representation of the band’s energy. Ever wonder how a producer like […]
Let’s face it, Knocked Loose’s drum sound is absolutely monstrous. It’s a full-frontal assault that powers their aggressive sound. Ever wonder how that kind of intensity is captured and shaped in the mix? We got a peek into the process with acclaimed producer Will Putney (Fit For An Autopsy, Every Time I Die, Body Count) […]
The drums on a Knocked Loose record are a force of nature. They’re aggressive, they’re punchy, and they hit with the weight of a collapsing building. That sonic assault isn’t an accident; it’s the result of meticulous engineering and a powerful mixing philosophy from producer Will Putney. Ever wondered how to get that level of […]
Let’s talk about modern metal bass. It needs to be a force of nature—a low-end foundation that’s both earth-shakingly thick and razor-sharp enough to slice through a dense wall of guitars. And when you think of masterful modern bass tones, Periphery’s Adam “Nolly” Getgood is a name that immediately comes to mind. His bass sounds […]