Suicide Silence’s “Wake Up”: Inside Machine’s Raw Metal Production

Nail The Mix Staff

Suicide Silence's "Wake Up" isn't just a song; it's a full-frontal assault of deathcore brutality. It's iconic for a reason, and a huge part of that is the masterful production helmed by the legendary Machine. We got a chance to peek inside the raw multitracks from a past Nail The Mix session, and let's just say, the man's approach is a masterclass in crafting interesting, punishing metal. With 59 tracks to play with, there's a lot to unpack. So, let’s dive into how Machine sculpted this beast.

Machine's "No DIs, All Commitment" Guitar Philosophy

If you're a guitar player, you know the allure of DIs – the safety net of re-amping later. Well, Machine threw that out the window for "Wake Up."

The Power of Committing to Tones

Machine and the band committed to their guitar tones during tracking. No DIs, just pure, amped-up aggression printed right to the track. That takes serious confidence and a clear vision. You’ve got to know your gear and know the sound you're chasing. The upside? When you, as a mixer, get tracks like these, you're not second-guessing amp choices; you're focusing on making those killer tones sit perfectly. It's a refreshing approach in an age of endless options.

Layering for Brutality: A Symphony of Guitars

The guitar production on "Wake Up" is wild, showcasing a ton of strategic layering:

  • Main "Scoop" Guitars: These form the core, super brutal sound that drives the track.
  • Quad-Tracked Chugs: For those extra heavy, palm-muted sections, they brought in quad guitars. These aren't just copies; they feature a different tonal character, often with a bit more upper midrange to cut through and add beef.
  • "Rhythm Guitar Mids": Another layer dedicated to chugs, these seem to be EQ'd or toned for "extra filth," really emphasizing that aggressive grind.
  • "Chug Over Nubs": More layers! The sheer density of guitar work is insane.

The key takeaway here is the use of different tones for different parts and layers. It’s not just one sound copied and pasted. This tonal variation keeps the listener's ear engaged and makes the song far more dynamic and interesting. It’s what you’d expect from a producer like Machine.

Leads and Textures: Beyond the Riff

It’s not all chugs and rhythm. There are some seriously cool textural and lead elements:

  • Dissonant Tremolo Picking: You’ll hear this on the right side, adding a layer of unsettling tension.
  • Sludgy Octave Guitars: In the middle section, things get heavy. Think doom-stoner metal, sludgy octave guitar riffs that sound like a "10 ton sledgehammer of brutality." Seriously, "chug city" is an understatement. There’s even a cleaner, but still massive, octave guitar sound.
  • "Demon Scrape": Because, why not?
  • Solo & Overdubs: Naturally, there are dedicated lead spots and additional overdubs to flesh everything out.

The Mixing Challenge (and Reward)

Mixing this many guitar layers, each with its own character, is a beast. You're looking at a ton of fader automation, precise EQ work to make everything fit, and careful balancing so it all translates into one cohesive, crushing wall of sound. But the result is a guitar sound with incredible depth and character.

Dialing in a Filthy and Articulate Bass Tone

The bass on "Wake Up" is no slouch either. It’s designed to underpin those heavy guitars perfectly. From what we can hear, it involves:

  • SansAmp: A classic choice for getting that aggressive, driven bass tone that can cut through a dense metal mix.
  • Distorted Amp Layer: Alongside the SansAmp, there's likely another distorted amp track, perhaps with a different character, adding to the "filth."

The beauty of these bass tones is that the bottom end is already "mean" and incredibly well-dialed. Just pushing up the faders reveals a sound that’s practically mixed, ready to lock in with the drums and guitars.

Deconstructing the "No Samples" Drum Approach for "Wake Up"

This is where things get really interesting, especially for a genre this heavy. Machine aimed for a drum sound that didn't rely on samples.

Real Drums in Extreme Metal: A Bold Choice

The drums were reportedly recorded in two separate passes. First, the overheads, snare, and toms were captured. Then, the kicks were programmed in separately, even featuring distinct left and right foot samples for realism. Going for an all-real drum sound (or as close as possible) in such an aggressive style is a testament to the dedication involved. It takes serious effort to capture takes clean enough to not need samples.

Capturing the Kit: Mics and Techniques

The raw drum tracks sound fantastic:

  • Overheads: Super clean, capturing the cymbals, snare, and toms without a hint of kick drum bleed.
  • Spot Mics Galore: We’re talking two China spots, a ride spot, a hi-hat spot, and even two splash spots. These are all insanely well-recorded, super clean, and already "stripped silenced" (meaning the bleed between hits has been edited out). The cymbals themselves sound great even without EQ.
  • Toms: Individually miked, of course. There’s also a track labeled "OD," which could be a room mic for the toms or perhaps an overdriven/processed version. Crucially, these are also gated and stripped of silence.

The Hybrid Kick Solution

While the shells are real, the kicks get special treatment:

  • Programmed Main Kick: Providing that consistent punch.
  • Left/Right Alternating Kicks: To mimic the slight tonal variations you'd get from a drummer playing two separate kick drums or alternating feet on a single pedal. This adds a subtle but important layer of realism.

The Iconic "Wake Up" Snare: Layers of Impact

The snare sound on this track is legendary. It’s not just one mic; it’s a carefully constructed combination of sources:

  • Snare Top & Bottom: The fundamental building blocks.
  • "Key Spikes": These are likely short, transient-rich audio clips derived from the snare hits, used to trigger gates with pinpoint accuracy – a common Machine technique.
  • Layers, Layers, Layers:
    • Top Distortion: For extra aggression and harmonics.
    • Gate Bat Sample: A specific sample blended in, likely for body or attack.
    • Transient Designer: This track name suggests a layer processed with something like an SPL Transient Designer to shape the attack and sustain.
    • Snare Room High & Snare Gun: These sound like room mic captures or processed reverb/sample layers to give the snare space and explosive power.

The sheer effort to record drums this cleanly is colossal, but it results in a unique and incredibly impactful drum sound that stands out.

Vocal Mayhem: Machine's Mic Cupping & EQ Wizardry

The vocal production on "Wake Up" is another area where Machine’s attention to detail shines. It’s not just about screaming into a mic; it’s a meticulously crafted performance:

  • Dynamic Techniques: They apparently went through a painstaking process, varying EQ, filtering, and even mic cupping techniques for different vocal parts and sections of the song.
  • The Power of Cupping: Think about how radically cupping a mic (like a Shure SM57 or SM7B) changes its tone, especially the low-end and proximity effect. They leveraged this, adapting the mic hold and technique to achieve different vocal textures at the source. This is next-level commitment to sonic variation.
  • Vocal Layers: You’ve got the main vocal delivery, aggressive and direct, but also vocal overdubs and even whispers, adding to the dynamic intensity.

While the overall vocal arrangement might seem straightforward, the way it hits is due to these incredibly detailed production choices. When it hits, it hits hard.

Adding Textural Spice: Post-Production Hits

Beyond the core instruments, there are some cool post-production elements adding extra flavor:

  • "Doom": What else would you call a massive, resonant, doom-laden impact?
  • "Deeming Clang": A metallic, clangorous sound adding a unique texture.

These little touches contribute to the overall sonic landscape, making the production even more memorable.

Mix "Wake Up" Yourself & Learn From the Pros

Hearing about these techniques is one thing, but imagine getting your hands on these very multitracks. The "Wake Up" session was a highlight on Nail The Mix, where members got to download all 59 raw tracks and try their own hand at mixing this beast, and even watch Machine himself mix the song from scratch, explaining his process.

This is the kind of hands-on learning that can transform your productions. You get to see how a pro takes these incredibly well-recorded and creatively produced tracks and brings them to life. Beyond just this song, Nail The Mix offers a gateway to understanding professional workflows. You get access to portfolio-building multitracks, bite-sized tutorials in Mix Lab, and even deeper educational content if you're looking to truly unlock your sound and master modern metal mixing.

If you want to go even further, resources like NTM Enhance offer mega deep dives into critical concepts like EQ strategies and metal compression secrets, taking you from foundational knowledge to advanced professional techniques.

Machine's production on "Wake Up" is a brilliant example of vision, commitment, and creative execution. The attention to detail, from the layered guitars and meticulously recorded drums to the innovative vocal techniques, is what makes this track an enduring metal anthem. Take these insights, experiment with these concepts in your own work, and hear the difference it can make!