Nail The Mix

Nail The Mix

Meshuggah bass tone: dual DI and amp blending with surgical EQ at 400Hz and 1kHz

By Nail the Mix Staff

Nail The Mix

Mixing aggressive rock vocals: SM7B compression, per-layer EQ & insert reverb techniques (ft. Bring Me The Horizon)

By Nail the Mix Staff

Nail The Mix

Inside a 160-track metal session with live strings and orchestra (ft. Machine Head)

By Nail the Mix Staff

Nail The Mix

Hybrid rock production: acoustic drums with electronic samples (ft. Papa Roach)

By Nail the Mix Staff

Nail The Mix

Programmed drums for metal: velocity humanization, room mic layering & DI bass saturation in Cubase (ft. Emmure)

By Nail the Mix Staff

Nail The Mix

Mixing drums from a one-day session with Neumann U 47 bass tracking (ft. Fall Out Boy)

By Nail the Mix Staff

Nail The Mix

Dynamic scene-based mixing in a 150-track rock session (ft. Gemini Syndrome)

By Nail the Mix Staff

Nail The Mix

Punchy rock drums: snare sample blending and mono room mic technique (ft. Godsmack)

By Nail the Mix Staff

Nail The Mix

Mixing raw metal multitracks with natural tempo drift and ghost notes (ft. Gojira)

By Nail the Mix Staff

Nail The Mix

Serial clipping for loud masters with StandardCLIP and FabFilter Pro-L 2 (ft. Polaris)

By Nail the Mix Staff