Mixed by Matt Thomas (Ashtone Audio), whose work with Left To Suffer and The Gloom In The Corner is defined by hyper-dense mixes that still breathe and punch, this session is a masterclass in managing complexity. “Disappoint Me” features wide atmospheric guitar layering, ultra-tight rhythm sections, slam-style drum arrangements, and one of the most intense vocal mixes we’ve hosted. The low-register vocals are saturated and up-front without masking critical transients, highlighting Thomas’s control of frequency overlap and harmonic saturation.

Expect to learn advanced automation strategies, surgical EQ choices for fitting guttural vocals and sustained guitar tracks into a cohesive mix, and severe dynamic sculpting on transient-heavy material. Kick/bass separation, stereo image management under extreme distortion, and atmospheric effects routing all play major roles here.

Download these multitracks if you want to push your limits dealing with high-density, high-impact metal mixes. This is an aggressive, sonically intricate session that demands critical listening and refined technique. Perfect for producers ready to dissect real-world metalmixing at a professional level.