Learn to Mix From the Best Rock & Metal Producers
Jens Bogren mixes "Twilight of the Thunder God" by Amon Amarth and "Martyr" by Septicflesh
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Few modern metal tracks demand more from a mix engineer than Amon Amarth’s “Twilight of the Thunder God.” As the title track from their 2008 breakthrough album, this song marked a turning point for the band, fusing blistering melodic death metal riffing with anthemic songwriting and dense arrangements that still feel massive today. Tight tremolo riffs collide with double-kick-heavy drum grooves, layered guitar harmonies, orchestral synths, and roaring vocals from Johan Hegg that need both bite and intelligibility to cut through.
At the helm of this mix is legendary producer Jens Bogren (Fascination Street Studios), whose discography includes Opeth, Arch Enemy, and Sepultura. Known for capturing punishing sonics without sacrificing musical depth, Jens brought parallel bus compression, phase-conscious tone sculpting, and careful stereo imaging to this session to maintain clarity and aggression in a crowded mix landscape.
Technical challenges are everywhere here: the drum editing alone is a masterclass in controlling natural feel alongside kick and snare reinforcement. Layered DI and amped guitar tracks show an advanced gain staging conversation, and the deliberate rebalancing of leads and rhythms creates the impression of space without reverb wash. Even the orchestration demands strategic EQ to sit above the guitars without thinning them out. This is heavy mix engineering executed with control and insight.
Septicflesh’s “Martyr” is a masterclass in symphonic metal arrangement and sonic control—possibly one of the most densely layered tracks ever featured on Nail The Mix. Pulled from their critically acclaimed album “Codex Omega,” “Martyr” blends cinematic orchestration, blistering death metal riffs, harsh and clean vocals, and complex rhythmic structures into a single, cohesive piece. It’s a track that challenges even the most seasoned mixers in translating massive arrangements into mix-ready clarity and depth.
The creative and technical hurdles are real: you’ll deal with over 120 tracks including live orchestration, intricate vocal doubling, multiple layers of aggressive guitar tones, transient-heavy drums, and long-form dynamic arcs. This is the kind of session where decisions around stereo imaging, bus processing, automation strategies, and saturation chains make or break the mix. If you’re serious about learning how to bring clarity and slam to high-track-count arrangements, this is it.
Download the multitracks and see what you would do when challenged with advanced editing, multilayered guitars, saturated vocals, and Jens Bogren’s signature production demands. If you’re serious about producing world-class melodic death metal, you need to spend time with this session.
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