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Josh Schroeder mixes "To The Hellfire" by Lorna Shore
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“To the Hellfire” is one of the most talked-about deathcore releases of the last decade—widely credited with reigniting genre interest and introducing a new level of compositional and technical ambition. Vocalist Will Ramos’ debut with Lorna Shore, this track from the EP …And I Return to Nothingness pushes the envelope of extremity with layered orchestration, machine-precise blast beats, and vocal performances that defy categorization. The track’s crescendos, dense harmonics, and terrifying dynamic peaks make it a rewarding challenge for mixers looking to go deep with intricate heavy arrangements.
Josh Schroeder, known for his innovative, high-impact work with bands like King 810, Tallah, and The Color Morale, crafted a detailed and punishing mix that balances weight and clarity in a rarely mastered way. Tracked and mixed at Random Awesome Studio, Schroeder’s approach puts a huge emphasis on textural saturation, tight low-end control, and retaining a massive stereo field without losing source separation. “To the Hellfire” forces you to navigate everything from absurdly fast kick patterns and multi-tracked growls to complex orchestral transitions that demand nuance and dynamic contouring.
The multitracks open up Schroeder’s mix layer by layer—including highly sculpted drum tones, advanced vocal layering and FX returns, and rich mid-side treatments on guitars and orchestration. Whether you’re looking to test your skills at low-end energy management, getting separation in stacked low-mid elements, designing vocal FX for extreme production styles, or just learning how the hell everything stays glued together, this session is essential.
Download the multitracks. Try your hand at it. See if you can make “To the Hellfire” hit harder—without losing its peak drama or mix integrity.
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